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results 221-240 of 317 item(s)  page 12 of 16 : ( <<  11  12  13  14  15  16  >> ) :: previous : next
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221. [Bookplate for J. I. Frank Anthes] [Bookplate for J. I. Frank Anthes] In red and black ink on cream or white paper, the bookplate consists of a red double border surrounding black text.

222. [Bookplate by James Gourlay Gray] [Bookplate by James Gourlay Gray] Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.

223. [Bookplate for Frank McIver] [Bookplate for Frank McIver] Ornate border surrounding the text, all in black ink on tan paper with some pink staining. Manuscript notes in brownish ink.

224. [Bookplate for W. E. Gale by George Kuthan] [Bookplate for W. E. Gale by George Kuthan] Printed in black and red ink on blue paper. The image includes a border in black ink surrounding the image of a ship in red ink and text in black ink. What appears to be a small letter 'K' in red ink is to the right of the ship.

225. [Bookseller's Ticket for J. T. Brousseau] [Bookseller's Ticket for J. T. Brousseau] Printed in black in on blue paper, this bookplate has an ornate border surrounding the text.

226. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery.

227. [Bookplate for Harry Hereford by J. B. C.] [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one.

228. [Bookplate for Imperial Cotton Co. by R&M] [Bookplate for Imperial Cotton Co. by R&M] Printed in black ink on cream coloured paper. The scene depicts dark-skinned laborers working in a cotton field. In the right-hand side of the foreground, a laborer holds a large wicker basket full of cotton on their head. To the left are two other large wicker baskets full of cotton. At least four other laborers recede into the depth of the field. They wear loose, baggy clothing and wide-brimmed hats. In the background is a wide, low brick factory building with smokestacks on the far left and one low, square tower with a flag in the middle. Below this scene is the insignia of the Dominion Crown and the text identifying the Imperial Cotton Co.

229. [Bookplate for Oeuvre des Bons Livres de Montreal] [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns.

230. [Bookplate for Thomas B. Greening] [Bookplate for Thomas B. Greening] Printed in black ink on cream paper. In the centre of the image, a heraldic shield is depicted. The shield is decorated by two thick intersecting lines with reversed scalloped edges, forming a cross shape. The lines are incised with a pattern of thin, close-set vertical lines and contrast against a solid background. Below the shield, a banner with chevron-ed edges contains the phrase ‘A TOUTE FORCE.’ Above the shield, the head and neck of a horse is shown in profile, facing left, with its mouth open and mane flowing.

231. [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.

232. [Bookplate for Claude Lamont Wheeler] [Bookplate for Claude Lamont Wheeler] Printed in black ink on greenish gray paper, the bookplate consists of a two line border surrounding the name of the owner. In the lower left corner appears the word 'No.' followed by a dotted line for the addition of a hand-written number. The number '33' has been written in ink.

233. [Bookplate for James Croil] [Bookplate for James Croil] Printed in black ink on light green paper. It has a border of entwined lines.

234. [Bookseller's Ticket for Campbell Bryson] [Bookseller's Ticket for Campbell Bryson] Printed in black ink on pink paper, this bookplate has an ornate scalloped border surrounding the text, which is has eight distinct fonts.

235. [Bookplate for W.H. Smith & Son] [Bookplate for W.H. Smith & Son] Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.

236. [Bookplate for Cercle Cremazie] [Bookplate for Cercle Cremazie] Printed in black ink on tan paper, a very ornate scrollwork border surrounds the text.

237. [Bookplate for James M. Wishart by Leslie Victor Smith] [Bookplate for James M. Wishart by Leslie Victor Smith] Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner.

238. [Bookplate for Curtis Henry Remy] [Bookplate for Curtis Henry Remy] Printed in black ink on white paper with thick-thin horizontal border lines at the top, middle and bottom of the ex libris. There is an image of a cock or rooster between top and middle borders and the name of the owner between the middle and bottom borders. Pencil strokes were added to the bottom third of the ex libris after printing.

239. [Bookplate for Thomas Troughton] [Bookplate for Thomas Troughton] Printed in black ink on white paper, in the upper left of the ex libris appears the crest of a lion erased issuing from a straight wreath. At the base of the lion's head is a veil sable with two pellet over one plate. To the right is the crest of a stag statant issuing from a straight wreath. Below the two crests appears a banner bearing the motto 'CARPE DIEM.' At the bottom of the ex libris appears the name of the owner, 'The Revd. Thomas Tronghton.'.

240. [Bookplate for Hilda Shibley] [Bookplate for Hilda Shibley] Printed in black ink on white paper, the words 'EX LIBRIS' appear at the top of the bookplate, below which sits a winged stag facing left or a stag sitting on a winged cloud. Below the stag appear the words HILDA / SHIBLEY.'.
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results 221-240 of 317 item(s)  page 12 of 16 : ( <<  11  12  13  14  15  16  >> ) :: previous : next
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